e film opens with a shot of a mass

e film opens with a shot of a mass of sheep making their way down a crowded ramp.

Abruptly, the film shifts to a scene of factory workers jostling one another on their way to a factory. However, the rather bitter note of criticism in the implied comparison is not sustained. It is replaced by a gentle note of satire. Chaplin prefers to entertain rather than lecture.

Scenes of factory interiors account for only about one-third of Modern Times, but they contain some of the most pointed social commentary as well as the most comic situations. No one who has seen the film can ever forget Chaplin vainly trying to keep pace with the fast-moving conveyor belt, almost losing his mind in the process. Another popular scene involves an automatic feeding machine brought to the assembly line so that workers need not interrupt their labor to eat. The feeding machine malfunctions, hurling food at Chaplin, who is strapped in his position on the assembly line and cannot escape. This serves to illustrate people’s utter helplessness in the face of machines that are meant to serve their basic needs.

Clearly, Modern Times has its faults, but it remains the best film treating technology within a social context. It does not offer a radical social message, but it does accurately reflect the sentiment of many who feel they are victims of an over-mechanised world.